These dreams are from Tuesday night. I took extensive notes upon waking, but I wasn't able to type them up in a publishable form due to being out of commission all day yesterday with a migraine.
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I was at a large lake with several other people. It looked something like a caldera lake, with steep rocky banks, but its shape was more rectangular than circular. Its shape made it seem artificial, and I was unsure whether I should think of it as a lake or a swimming pool. Inside the lake there were several submerged rock walls, reaching almost to the surface, and it was possible to get from one part of the lake to another on foot by walking along these walls, being careful to keep one's balance. From a distance, it would look as if one was walking on water, like Jesus.
We were there because we had reason to believe there was a body somewhere in the lake, and we had to find it. I had a hunch as to where it would be, and I started walking in that direction, balancing on one of the submerged walls. I reached a very shallow part of the lake, and there, lying face up in a water barely deep enough to cover her, was the pallid body of a woman. I discovered that a rectangular glass "lid" had been placed over the body, which was what prevented it from floating to the surface.
I removed the lid, and the body floated up to the surface. Then I realized that it wasn't just floating; the woman was still alive, despite her deathly pallor, and was trying to get up. I helped her out of the water and held her in a bear-hug, looking at the steep rocky bank and wondering how I was going to traverse it while carrying her. She recovered her strength very quickly, though, and was soon able to stand and walk on her own. In fact, she seemed to be completely normal; one would never guess that moments ago she had been mostly drowned.
She told me that the person who had put her in the water was also after her sister. I turned to the other people I was with and said, "Where are the police? Why aren't they here yet? They should have been called the moment we found the body, I mean the person."
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I was teaching two young men, but not in my usual capacity as an English teacher. Rather, I was "responsible for their education" in a more general way. The curriculum I had chosen for them was mainly symbolic logic, theoretical geography, and the universal principles of architecture. I told them that in addition to studying these disciplines, it would be essential for them to maintain inspiration, and that historically this would be tied to what I called the "pre-Romantic notion" of the four components of the Cherubim and would involve choosing one of these with which to ally oneself. I thought, but did not say, that this would also mean identifying with one of the four Jacks in a deck of cards.
One of the logical exercises we did involved using a modified form of predicate logic to express the proposition "Most people are able to answer questions put to them by their parents."
One of the books I was teaching from was a thick volume bound in red leather, with gold lettering on the cover. I accidentally left that book in the trunk of my car and had to go downstairs to the basement-level parking garage to get it.
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I was woken up in the middle of the night by my wife calling from downstairs, saying, "Come down for a minute. I got some paste for you."
As I got out of bed, put on a shirt, and walked to the door, I found that it was unusually difficult to move, as if I were walking through water. After a moment, I realized that I must actually be sleepwalking, and that my wife wasn't actually calling me. After all, she was visiting family overseas and wouldn't be home for weeks -- and even if she did come home early for some reason, "Come down for a minute. I got some paste for you" would be a pretty strange way of announcing herself. Having convinced myself that I was dreaming, I went back to bed.
Then I heard my wife's voice again and, sure it was real this time, went downstairs. This time I was able to move normally but found that I had lost my voice. It was all I could do to rasp out a very hoarse whisper. She explained that she had come home early because she was sick. Noticing my voice, she said, "So you're sick, too?"
Most of the furniture in the living room was gone, and some of it had been moved. I asked my wife if she had moved it. When she said she hadn't, I said, "Then we've been robbed! . . . But wait, why is the television still here? Why would a burglar take the furniture but leave the electronics?"
Then I saw something in the dining room, behind my wife: a small table hovering in the air.
"Look over there!" I said. "There's a table levitating. That poltergeist is back!"
She didn't turn her head. "Don't -- expect -- me -- to -- look," she said, forcing out the words as if paralyzed with fear.
I turned back to the living room. Most of the furniture had reappeared, though most of it was out of place.
"I can't believe that poltergeist is back," I said again. I began calling to mind the Latin prayers that had banished it last time.
"I saw something before but didn't want to tell you," my wife said. "It -- killed everything."
I knew that she meant our cats. "Where are they?"
"Out back."
Although she was saying that all the cats were dead, and their bodies out back, several of the cats were walking around the living room at that very moment, looking perfectly normal.
When I finally woke up for real, I was sufficiently disoriented that I had to go downstairs to make sure that my wife hadn't come home early, that the cats were okay, and that there had been no poltergeist activity.
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I had shaken the dice before going to bed. I no longer try to predict from dream content what the roll will be, since that doesn't seem to work, but I still note any connections. I had rolled 18, which is the Ace of Swords. My immediate thought was to connect that to my first dream, in which we had found a woman in a lake, with the Lady of the Lake giving Excalibur to Arthur.
The second dream was interesting because just before going to bed I had been thinking about what the focus of my current studies and thinking should be. Various long-term projects -- my work on the Fourth Gospel, the Book of Mormon, Dunne's theory of time, etc. -- have all kind of stalled out, and I find myself treading water, reporting syncs as they come but not really making much intellectual progress. Then, the night after those ruminations, I dreamt about a special "curriculum" I had designed, focusing on some rather unlikely subjects. Is that supposed to be a hint? It's hard to take literally. Symbolic logic, I think I've already got a pretty good handle on, having taught it at the university level many years ago. I know absolutely nothing about architecture, and I wasn't even sure "theoretical geography" was a real discipline until I looked it up after the dream. "Universal principles of architecture" sounds closely related to "speculative masonry" -- that is Freemasonry as a symbolic and ritual system, divorced from the work of actual stonemasons. Taken together, the subjects on the curriculum suggest a high level of abstraction rather than a focus on facts or practical matters.
The idea of receiving inspiration by associating oneself with one of the four components of the Cherubim ties in with old traditions regarding the four Evangelists, Matthew, Mark, Luke, and John. Traditional iconography shows Matthew being inspired by the human aspect of the Cherubim, Mark by the lion, Luke by the bull, and John by the eagle. As far as I know, there has never been any suggestion that anyone other than those four should or could receive inspiration in such a manner. The idea that inspiration requires intermediaries, rather than being received directly from God, is what I think made me characterize this concept as "pre-Romantic." The connection to the four Jacks was interesting. I've mapped the four Jacks to lots of other foursomes (see "Flour Boy symbolism roundup"), but not to the Cherubim.
The last dream segment was unnerving, with its suggestion that the poltergeist of 2019 might come back. It felt seriously malevolent in the dream.

5 comments:
The lady in the lake brought to mind the first episode of Twin Peaks where Laura Palmer is found wrapped in plastic on the shores of a lake. Of course she's dead when they find her, but in season 3 she appears in the Red Room and says to Agent Cooper
"I am dead, yet I live"
Before removing her face & revealing the divine light within (Lynch knew what was up).
Jung would've had a field day with these dreams of yours, what with the waters of the unconscious, the rectangles and the anima figure there.
(MLKPTR)
Speaks-With-Crows
Just over an hour ago, while chatting with J, he asked whether I knew of the band HIM (I did but was unfamiliar with their work) and linked "Join Me In Death". The video's intro shows the band approaching a woman shrouded in mist, lying in a pose suggesting she is dead, until she opens her eyes and stands up.
youtube.com/watch?v=W5J8IgoUdjo
William,
Part 1 of 2
Yet again more dreams having to do with the
female energy ( water) and transformation.
In the Lady in the Lake dream , you wrote
that the lake appeared unnatural.
You wrote, "its shape was
more rectangular than circular.
Its shape made it seem artificial,
and I was unsure whether I should think of it as a lake
or a swimming pool."
A swimming pool much like a rectangular shape
is structured, like a box which both restricts us.
When we are restricted to the illusion only our
soul dies because there is no movement
and therefore no growth.
It's the water that saves us because
water has potential to transcend boundaries.
In dream work the majority of our dreams are about
our spiritual growth. There's usually 3 people
in a dream symbolizing: me, myself and I.
Each one of the three people are an archetype
of ourselves.
You wrote that you were with several other people
at the lake. In dream work If there are several people
( as opposed to three ) in a dream, people
that we can't 'see' but are aware that they are there,
is symbolic of our existence with humanity collectively
and how we affect others and they us.
Usually in a collective dream, the dreamer is on
a bus, or train, or ship which carries many people.
There is someone else who is in control of the ship,
bus or train, not the dreamer.
In collective dreams the message has meaning
that will affect others, including us.
I've personally had several meaningful bus dreams
which have become puzzle pieces for me.
My 2014 Moon River dream was one, and
my June 2002 premonition dream I had about my
mother, brother and I on a bus was another.
The **three** of us sat
right behind the driver whom I didn't see.
In the back of the bus my father was sitting
with a huge weird smile on his face.
IRL my father died in 1977.
There was no one else on the bus.
In real life in Aug of 2002 4 months after
the bus dream my mother passed over.
I told her about the dream in June
after I had it.
The collective bus dream meant that I was
not in control and something was going to happen
which would affect more people than me.
Which is exactly what happened.
My father was on the bus because he was
there to ' pick my mother up', which in
the dream was something I said to him
as to why I believe that he was there.
In real life my father left the family
when I was 7 years old.
I believe he was smiling because perhaps
he had a karmic debt to repay and was 'allowed'
to help my mother cross over.
Again, something I had no control over.
Every little thing in dreams are symbolic
even in premotion dreams.
A car as opposed to a bus is different.
A car is intimate and symbolic to the dreamer
as opposed to our interactions with the collective.
We can either be the driver or the passenger
of the car so in that regard, we have a choice.
All vehicles are symbolic of transformation,
going from one place to another.
In your curriculum dream
you were with 2 other men. You made
up the third man.
Symbolically You and the 2 men were some
archetype of you.
In the curriculum dream you went down
to the basement level of the parking garage to retrieve
your rubedo and gold book in the trunk
of your car. A book of
course being symbolic of learning, not necessarily
knowledge. Your book
cover is red and gold symbolic of the Rubedo
in alchemy which is the Philosopher's Stone.
The trunk of a car is yet another 'box'.
I found this interesting
copy and paste from etymology:
trunk(n.1)
"[main part of something, as distinguished from its appendages]
mid-15c., "box, case,"
"Latin truncus "trunk of a tree; trunk of the body;
wooden block," a word of uncertain origin,
probably originally "mutilated, cut off."
~~~~~~
The trunk of a tree holds water.
William,
part 2
In dream work as in real life
a basement is symbolic
of a place where we 'store' things that have some
value or meaning but we don't need or
want in our everyday life.
A dark basement can also be used to hide things as well.
Things that we don't want others to see in
our 'living rooms.'
Nigredo dreams are another example
of basement dreams.
A basement is different from an attic.
An attic is symbolic of our lofty spiritual storage.
Our memories, dreams, imagination, intuition,
Third Eye knowledge.
A basement is symbolic of our physical existence.
The foundation of our house. Our house
meaning our physical body. Usually heavy items
like furniture or symbolically our demons
or dragons are stored in dark basements.
The Lady in the Lake appeared dead, but she survived
which was transformation. You rescued her
because you lift the lid.
In dream work, symbolically You are the woman.
You wrote that your poltergeist dream was unnerving.
Like the poltergeist, our soul makes noise to
get our attention. In dreamwork if the dreamer
is not' paying attention' to the message,
the soul will then try to get our attention
through meaningful synchronicity experiences.
The last resort our soul uses are nightmares.
Recall I've commented about nightmares before.
If we don't heed the messages from our soul
and solve the puzzle,
the nightmares continue and the dragon
that we hid in the dark basement gets
much MUCH bigger.
A poltergeist shakes things up noisily, and moves furniture
around to the point where the dreamer's 'living room'
is unrecognizable
which is what happens when we go through
a transformation. A transformation is absolutely
a scary process if we don't understand it.
Your wife ( symbolic of female energy ) is offering
paste. Etymologically paste is a dough or pastry
which is yet another 'food for thought'.
The female typically serves the food for thought
and nourishment.
I also want to comment that it's interesting
in your curriculum dream that it was a book
that you were teaching FROM as opposed
to wisdom shared from knowledge gained.
A book is from other authors' perspectives,
not necessarily our own. The content
which may OR may not be true.
A sage is much different than an author.
The paranormal, which includes dreams
is symbolic.
William,
I just reread your poltergeist dream after sending
my comment and lo and behold
you wrote: "Then I saw something in the ***dining room**
, behind my wife: a small table hovering in the air."
I didn't notice that before I wrote
my perspective about your dreams.
A dining room or a kitchen is symbolic
of ; Food for thought
which is what I wrote.
Levitating tables perhaps Magician tables?
In dream work always follow the symbolism.
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