My other potentially significant fever dreams (I don't actually have a fever, but "head-cold dreams" just doesn't have the same ring!):
I was in a room with a lot of people -- Europeans, I thought, some speaking English and others French. Someone mentioned the name Jay Leno, and everyone suddenly turned and stared at him aghast, as if he had committed some unthinkable breach of decorum in uttering that name.
I was confused by this, and I said, "What? What did Jay Leno do? Did he rape somebody? Did he say nigger?"
Now everyone turned and stared aghast at me, partly because I hadn't used the more genteel terms sexual assault and the n-word, but mostly because I had somehow missed the memo about Jay Leno being unpersoned. An elderly woman hissed at me, "Le n-mot, s'il vous plaît!" -- which I don't think is even proper French, but which struck me as funny because it punned simultaneously on the name Leno and the slang expression "nigga, please!" Under the circumstances, I didn't dare crack a smile. Everyone else was silent, but I could "hear" their thoughts: "He doesn't know! Everyone knows. Everyone knows!" I woke up.
Several hours later, Jay Leno reappeared in another mini-dream. It wasn't even a proper dream, just a static image: a paperback book with a pulp-style illustration of two or three distraught-looking people imprisoned in what looked like a glass diving bell. At the top of the cover it said, "Who Can Say Who's Abducting You?" At the bottom, it said, "Jay Leno." I thought in the dream that this was a quadruple-entendre: (1) a book by Jay Leno called Who Can Say Who's Abducting You? (I imagined in the dream that "Who can say?" must be a Leno catchphrase), (2) Jay Leno can say who's abducting you, (3) Jay Leno is abducting you, (4) a question addressed to Leno: "Who can say who's abducting you, Jay Leno?" As soon as I had processed these four readings, I woke up.
I know nothing about Jay Leno. I know what he looks like, and that he is or was a comedian on American TV, and that's about all I've got. After the two dreams, I looked him up to find out if "Who can say?" was a catchphrase of his (apparently not) and whether he had ever been the subject of a two minutes' hate. All I could find on Wikipedia was some hooha in 2010 over whether he or Conan O'Brien was going to host a particular talk show. Apparently the public overwhelmingly sided with O'Brien:
Artist Mike Mitchell designed a poster similar of the Obama "Hope" poster, showing O'Brien superimposed with an American flag in the background and the caption "I'm With Coco". The poster was widely circulated and displayed online and at various rallies. The color orange also became the choice of color for O'Brien fans, referencing his light orange hair.
Haha, orange hair had a different meaning back then! And is Conan O'Brien called Coco? I'd never heard of that before, but then I'm pretty much a rube when it comes to all things teevee.
In the evening, I went out to buy a few things. My wife had recommended that I get some kumquat tea, for my sore throat, from a particular shop I've never been to, so I was on a road I don't take very often. On the way to the tea shop, I passed another tea shop with a very interesting name and logo:
There's the name Coco, almost precisely the same shade of orange, and a white face with no features other than a pair of eyes and two ear-like projections. This face meant nothing when I saw it, but then on my way home I stopped at a red light behind a motorcyclist with this on her backpack:
A white face with eyes, ears, and no other features. Unlike the Coco mascot, this one is pretty clearly a white rabbit. Ever since Alice in Wonderland (would Alizio be the Italian masculine form of Alice?), white rabbits and rabbit holes have been a metonym for pursuing crazy ideas. The text reads, "I don't mind who u are" -- but the font makes the penultimate letter ambiguous, so it could also read, "I don't mind who u ate."
This ties in with my "Narrative Reasoning" dream, which referenced a scene in the Aeneid where Turnus says to what turns out to be a malevolent heavenly messenger, "I'll obey . . . no matter who you are who call me." That are could also be read as ate makes this look an awful lot like a warning. One is also reminded of "The Statue Got Me High": "And now it is your turn / Your turn to hear the stone / And then your turn to burn."
Who warned Arthur and his knights of a dangerous white rabbit? None other than Tim the Enchanter:
"Narrative Reasoning" also possibly ties in with the "Who's Abducting You?" dream. Though in modern use it primarily refers to kidnapping (particularly by aliens like Tim and Patrick), abduction literally means "leading away." It also refers to a particular type of reasoning -- a sense which featured prominently in a book I read a few months ago, The Methods of Contemporary Thought by Józef Maria Bocheński.
After coming home, I checked my email and found that I had a new message in my Proton account. I haven't read it yet, but the subject line is: "Entering the ultimate rabbit hole."
I've posted quite a bit recently about an unfinished story I wrote in 1997 about William Alizio. An excerpt is posted in "Pleased to meet you, hope you guess my name." It was a deliberately silly story, deliberately badly written, and not consciously intended to mean anything. Attempts at nonsense and randomness are, of course, openings for material to come in from elsewhere.
The excerpt I posted ended with Alizio being taken away in Tim and Patrick's spaceship. Here's what comes next:
"What is your planet called?" asked William Alizio after they had been in space for several hours.
"Its name is Vilum-el-Prika-Vlein," said Patrick.
"What language is that?" asked William Alizio. "And what does it mean?"
"It is Znorg-el-Bop," said Patrick, "and it means Little Skinny Planet. We usually call it the Little Skinny Planet, because nobody speaks Znorg-el-Bop anymore."
"Oh? What do you speak now?"
"English."
"English?" said William Alizio, a little surprised. "Why English?"
"It's a long story," said Patrick.
"Oh. Well, how did your planet get its name? Is it little and skinny?"
"Of course not!" said Patrick in disgust. "How could a planet be skinny?"
"I don't know," admitted William Alizio.
"When Bop the Great discovered our planet," said Partick, "he noticed that all the animals on it were little and skinny, so he said, 'Fi-el-krumi prika-vlein bister yorg."
"What does that mean?"
"It means 'all the animals are little and skinny.'"
"Why are all the animals little and skinny?" asked William Alizio.
"They aren't. Bop the Great just happened to land in someone's giraffe sty."
"Giraffes are little on your planet?" said William Alizio. "And you keep them in sties?"
"Bop the Great just thought they were little. He was a giant."
Little Skinny Planet was not a name I coined for this story. I used to talk about the Little Skinny Planet when I was a toddler. I have no memory of this, but I know it from the journal entries I used to dictate to my mother before I was able to write. This was a name comparable to "Black Africa" -- not a description of the place itself, but a reference to its inhabitants. It was where I imagined the Little Skinnies must come from.
Rereading this now, remembering that prika-vlein apparently means "little and skinny," and that the planet got this name on account of giraffes which were raised as livestock, I made a connection I hadn't before.
In my May 2021 post "On the threshold of a dream," I described my experience of a dream taking form. A spiral of fiery letters in "para-color" slowly transforming into blobs and then . . .
Then, with an abruptness that startled me, everything snapped into focus just like that, as if someone had flipped a switch. The vague blobs of "color" immediately transformed into a "photorealistic" scene. (Not the sort of thing that could be captured in a photo, of course. I refer to the level of clarity, detail, and definition.) I saw rolling farmland in what I felt was perhaps Ohio or Kentucky, a couple of small houses with white aluminum siding, and in the distance what were unmistakably two giraffes picking their way across the fields on their spindle legs. Actually, the giraffes looked somewhat less real than the surrounding countryside, as if they might have been some sort of holographic projection. They were just-perceptibly shimmering, and the ratio of para-color to ordinary spectral color was higher than in the surrounding scene.
Farmland with giraffes -- notably skinny giraffes with "spindle legs." And why are they described as "picking their way across the fields"? I remember that when I wrote this, it felt like "pricking on the plain" -- from the famous opening line of Spenser's Faerie Queene -- was the perfect way of describing the giraffes' movements, but I didn't know why. Spenser is referring to the knight pricking his horse with his spurs, which makes no sense when applied to riderless giraffes. I therefore went with the nearest somewhat semantically defensible phonetic approximation of the word I wanted, and pricking on the plain became picking their way. Now, though, it seems likely that some dim memory of prika-vlein in connection with skinny giraffes on a farm may have suggested those words to me.
The other thing about the giraffes in the dream is that they were "shimmering" with impossible colors.
Yesterday, as documented in "Blue Boat Home," I discovered the song "Little Talks" by Of Monsters and Men.
I heard it in a restaurant and didn't actually watch the music video until after posting. The beginning syncs with Swiss Family Manhattan, as we see an "airship" crash in a giant tree after being attacked by Ziz in the form of a black two-headed bird of prey -- symbol of the Holy Roman Empire. (The Swiss family crashes their airship on the Empire State Building, which they believe is a giant tree.) The synchronized insect-like way the men in the video move their spindly legs has a creepy "uncanny valley" effect that reminded me very much of trooping fairies or Little Skinnies. The floating fairy-like creature that accompanies and protects the Little Skinnies reminded me of Tim the Enchanter with the way she keeps zapping things and making them explode.
After she has zapped Ziz, Behemoth, and Leviathan, a final gigantic creature appears which she does not zap. It is full of shimmering colors and presented in such a way as to suggest that -- although I first thought of it as "Humbaba" -- it is meant to represent God:
Its rams' horns were another link to Tim the Enchanter, but its gigantic size and many eyes made me think of something else:
That's a screenshot from the Keanu Reeves film 47 Ronin, from my April 27, 2014, post "A beast with many eyes." I compared it to a qilin (a creature from Chinese myth) in the post. The night before seeing it on TV, I had dreamed of a whale "blue in color, with a row of eyes on the left and a row of eyes on the right — perhaps eight eyes in all. It also had feelers on the sides of its mouth like a catfish." The qilin-type beast "aside from the fur, horns, and nostrils, [looked] exactly like the many-eyed 'whale' I saw in my dream." Later, in 2022, I found that I posted my many-eyed whale dream on the 430th anniversary of Dee and Kelley's many-eyed whale vision.
The beast from "Little Talks" doesn't suggest a whale at all, but I think it does suggest the qilin-creature from 47 Ronin. Here's a traditional Chinese depiction of a qilin; the link with the 47 Ronin beast is indisputable:
The Humbaba creature at the end of the "Little Talks" video has shimmering colors like the farmyard giraffes in my dream (in a video that also features Little Skinnies, remember) -- but surely none of these fantastic creatures bears the slightest resemblance to a giraffe, right? Here's Wikipedia:
The legendary image of the qilin became associated with the image of the giraffe in the Ming dynasty. The identification of the qilin with giraffes began after Zheng He's 15th-century voyage to East Africa (landing, among other places, in modern-day Somalia). The Ming Dynasty bought giraffes from the Somali merchants along with zebras, incense, and various other exotic animals. Zheng He's fleet brought back two giraffes to Nanjing and they were mistaken by the emperor for the mythical creature, with geri meaning giraffe in Somali. The identification of qilin with giraffes has had a lasting influence: even today, the same word is used for the mythical animal and the giraffe in both Korean and Japanese.
Axel Schuessler reconstructs Old Chinese pronunciation of 麒麟 as *gərin. Finnish linguist Juha Janhunen tentatively compares *gərin to an etymon reconstructed as *kalimV, denoting "whale"; and represented in the language isolate Nivkh and four different language families Tungusic, Mongolic, Turkic and Samoyedic, wherein *kalay(ә)ng means "whale" (in Nenets) and *kalVyǝ "mammoth" (in Enets and Nganasan). As even aborigines "vaguely familiar with the underlying real animals" often confuse the whale, mammoth, and unicorn: they conceptualized the mammoth and whale as aquatic, as well as the mammoth and unicorn possessing a single horn; for inland populations, the extant whale "remains ... an abstraction, in this respect being no different from the extinct mammoth or the truly mythical unicorn."
So the qilin is linked not only to the giraffe but to the whale as well! Keep in mind that my 2014 dream whale, like the qilin, "had feelers on the sides of its mouth like a catfish." A whale with such accoutrements was a novel idea to me at the time, but here it is in the 1997 William Alizio story:
"Are those ducks out there?" asked Jessica Nolin.
"I don't know," said William Alizio. "I never could tell ducks from geese."
"I think they're ducks," said Jessica Nolin.
"Yes," said William Alizio. "They must be ducks."
There was a loud, disgusting slurping sound, and the ducks (or geese) disappeared in a little whirlpool which appeared out of nowhere. Then the whirlpool went away and an enormous fish, golden-brown in color, broke the surface of the lake and dove back under the water. . . . William Alizio could see its bulging eyes staring up at them. Its enormous sucker-like mouth, flanked by fleshy feelers, was gaping open.
I think I conceptualized this at the time of writing as a gigantic carp, but big fish and whales have been interchangeable since the time of Jonah.
And then, in the sort of scene familiar from the "Little Talks" video, the monster is zapped and explodes. Some intelligent extraterrestrial monkeys, minions of the villain Thomas Hosey, have stolen Tim's laser gun and are trying to shoot Alizio and Nolin:
There was a rapid series of loud splashes behind them. William Alizio glanced back and saw that the lake was full of monkeys. They spotted him and Jessica Nolin almost immediately, and a teal-colored ray whizzed over his head. A tree on the island was reduced to rectangles.
No sooner had William Alizio taken all this in than he heard a horrible slurping sound beneath him. He felt something pulling him down and struggled to stay afloat.
"Do something!" shouted Jessica Nolin. She was slowly sinking towards the fish. Another tree exploded, sprinkling them with rectangles. . . .
A third teal ray flew towards them, hitting the water. For a moment, all William Alizio could see was a cloud of multicolored rectangles. He heard a scream.
When the rectangles had settled, William Alizio and Jessica Nolin were both floating again. The fish was nowhere to be seen.
Go back and watch Time the Enchanter and "Little Talks" again and tell me there's no connection. Tim the Enchanter makes a tree explode for no apparent reason -- and here Tim's laser gun (Patrick's having been destroyed) does the same thing. The fairy in "Little Talks" zaps an enormous sea monster just as it is about to eat one of the Little Skinnies. I first saw Monty Python and the Holy Grail no earlier than 2000, three years after writing the Alizio story, and of course the "Little Talks" video didn't even exist until 2012.
I haven't even begun to figure out what this all means, but it clearly means something.
One more thing: William Wright has hinted several times on his blog that he thinks the sea voyages in the Book of Mormon -- those of Lehites and the Jaredites -- may actually have been space voyages. As anyone at all familiar with the field will know, every theory of Book of Mormon geography begins with postulating the identity of the Narrow Neck of Land. Narrow Neck of Land. Little Skinny Planet. Despite its central importance for would-be BoM geographers, the exact phrase "narrow neck of land" only actually occurs once in the text. Care to guess which chapter?
