The Great Tower: The link between the Swiss Temple and the Empire State Building

It's apparent, as noted in "Taking inventory of Reality Temple syncs," that the sync fairies are symbolically identifying the Swiss Temple in Bern with the Empire State Building, but it hasn't been clear why. Trying to figure out the connection, I watched the 42 trailer a few more times.

The end of the trailer features the Jay-Z track "Brooklyn Go Hard." The first time around, I didn't catch the lyrics beyond "I'm Jackie Robinson," so I figured it was a song about the ballplayer, perhaps even written specifically for this biopic. Well, not exactly. Aside from the refrain of "Brooklyn, we go hard, we go hard," here are the lyrics that appear in the trailer:

I father, I Brooklyn Dodger them

I jack, I rob, I sin,

Ah, man, I'm Jackie Robinson

'Cept when I run base, I dodge the pen

So Jay is punningly saying that he's Jackie Rob-'n'-sin, an artful Brooklyn dodger, because he fathers and abandons bastards; commits carjackings, robberies, and sins; and traffics in cocaine without being incarcerated. Not exactly a ringing endorsement of the black liberation Robinson represents -- Jackie Robinson led the way, and look where blacks are today! I don't think Robinson himself had any criminal background -- in his era it had yet to become the norm -- but either way, it's an odd and not exactly respectful soundtrack choice for a movie that portrays him as a hero.

I knew what base meant because at one point I had looked up the etymology of based. Before a series of repurposings -- by Lil B, 4chan, and W. M. Briggs -- transformed it into an expression of approval with right-wing connotations, based referred to a basehead, a user of a particular type of cocaine. How exactly does "freebase" cocaine differ from the common or garden form, though? I realized I didn't know, and looking it up led to a breakthrough in interpreting these syncs:

freebase /ˈfriːbeɪs/ noun: freebase cocaine

cocaine that has been purified by heating with ether, taken by inhaling the fumes or smoking the residue.

Ether! You may remember that the reason 42 caught my eye was because of syncs relating that number to the Book of Ether, documented in my October 23 post "Michelangelo conflated with Archangel Michael, Crowley's headless God, 42 in the Tenth Aethyr." The phrase "forty and two years" occurs three times in Ether 10, referring to three different things, and nowhere else in the Book of Mormon.

Following a sudden hunch, I looked up how long the Empire State Building had been the tallest building in the world:

The longest world record held by the Empire State Building was for the tallest skyscraper (to structural height), which it held for 42 years until it was surpassed by the North Tower of the World Trade Center in October 1970.

Before discovering this Ether connection, I had been trying to connect The Swiss Family Robinson with the Book of Mormon. The family has four sons, just like Lehi's when he left Jerusalem, and Bern can be linked to Jerusalem because the Bern Switzerland Temple district, oddly, includes Jerusalem.

A better link, though, is with the Jaredites (whose story is told in the Book of Ether). Lehi flees Jerusalem, but the Jaredites flee the Great Tower -- a much closer link to the Empire State Building than Bern is to Jerusalem. The Jaredites also bring lots of livestock across the sea, as do the Swiss castaways.

The people's language is confounded at the Great Tower, making it the likely source of the Tower of Babel story in the Bible (or, for skeptics, vice versa). This aspect of the story is a link to the Swiss Temple. I have mentioned several times that it was the first LDS temple to present the ceremony in the form of a movie. The reason for this change was that, unlike all previous temples, the Swiss Temple had to perform ceremonies in multiple different languages, and a film was the easiest way of dealing with that.

While the Tower of Babel was simply "a tower whose top may reach unto heaven" -- cf. our term skyscraper -- the Great Tower was "a tower sufficiently high that they might get to heaven": not just a tall building but a means of transportation, suggesting Zecharia Sitchin's theory that the Tower of Babel was a spaceship. The video for "The Statue Got Me High" portrays the Empire State Building as a spaceship, quite literally taking its inhabitants into the heavens. See my November 1 post "The Empire State Building -- in space!"

Also, in Hercules in New York, it is from the Empire State Building that Hercules ascends to heaven -- or to Olympus, anyway.

Another thing that caught my eye in the 42 trailer was a building labeled Ebbets Field -- where the Dodgers used to play, apparently. It's an odd name, so I looked up the etymology. It means "son of Isabel" or "son of Elizabeth." The original son of Elizabeth was John the Baptist (who, like the Jaredites, is associated with the honeybee), but the connection I made was with the Björk song "Isobel." I started listening to Björk shortly before the Peter Jackson Lord of the Rings films came out, and I associate "Isobel" with the scene where Gandalf escapes from Isengard. There are these lines from the third verse:

In a tower of steel

Nature forges a deal

To raise wonderful hell

Like me, like me

But the key line is from the chorus:

Moth delivers her message

In the Peter Jackson movie -- though I don't remember it from the novel -- Gandalf escapes from Saruman in the tower of Orthanc in Isengard by sending a moth out as a messenger to summon an eagle.

I note parenthetically, as a sync probably intended for William Wright -- see "The Honey Maid (OR: What crazy people see on graham cracker boxes and Oreos)" -- that when I looked up the above video clip for inclusion in this post, I first had to sit through an ad for Oreo cookies.

I'm not touching this -- I'm ignoring new syncs, remember -- but there it is in case Mr. Wright wants to conclude anything from it.

Saruman in Isengard has already been connected with the orb-pondering Zeus seen in Hercules in New York.

I listened to Björk back in the days when people bought CDs, so I had never seen the music video for "Isobel" until today:

It's a black-and-white video prominently featuring organ pipes -- just like the Woodkid video for "Iron":

The "Iron" video ends, as the "Run Boy Run" video begins, with a shot of the Swiss Temple. The word iron derives from the Old English isen, as in Isengard. William Wright has already connected the organ pipes in the "Iron" video with Saruman, in his November 1 post "Stones and Keys, Part 3: The Voice of Saruman":

The man reading from his book of keys (Saruman) is first juxtaposed with those organ pipes.  As he reads and speaks, we see cuts to the pipes, continuously zooming in on them.  Are they playing?  It is hard to say right off the bat, since the music of the actual song is playing.  But I believe what we see here, or at least one thing, is the voice of Saruman being piped through those organ pipes.

So that's some interpretive progress, anyway. The Swiss Temple and the Empire State Building represent the Great Tower, and Saruman seems to be involved as well.

The bric-a-brac of the Right

Very strange, meaningful-seeming dream:

I was part of a group (I just thought of them as "my friends") that met twice weekly to share ideas and creative output. The dream consisted of a few disconnected scenes having to do with that group.

In the first scene, I was preparing to go to one of our meetings and then suddenly remembered that it was actually scheduled for the next day. While I was preparing, I was aware that there was some major disturbance going on outside -- perhaps a war or something like that.

In the second scene, one of the members, a woman, had created a short animated film that progressed very quickly from playful to "edgy" to deeply -- and I do mean deeply -- obscene. No one raised any objection. I didn't either, though I wanted to, because there was just this feeling that we were all supposed to be too cool to take issue with that sort of thing.

In the third scene, another of the members, an older man, was telling a story about some third party (not part of the group) who had made a shirt for himself and "decorated it with the bric-a-brac of the Right -- a slice of pizza, a Torah scroll, other such things. And this of course made him guilty of both the sin of fragmentation and the sin of creating a coherent story."

I thought of the "bric-a-brac of the Right" as being something like the "secret symbols" in Bizarro comics (recurring random items, such as a slice of pie or an upside-down bird, which the artist adds to his cartoons), and I was pretty (but not entirely) sure the man was using "sin" ironically -- saying that the public disapproved of these so-called sins. I took the slice of pizza to be an allusion to the conspiracy theory associated with that foodstuff and the inclusion of a Torah scroll to be some kind of anti-Semitic thing. 

⁂

Upon waking, I thought of the incongruity of characterizing the Torah as bric-a-brac, of all things, and it reminded me of something. Back in the days of daily newspapers, my father and I used to share the hobby of creating what he called "subliminal comics." The idea was to cut out three or four panels -- each from a different comic in the same paper -- and combine them to make a new strip that sort of made sense. One time (it was, apparently, on the palindromic date of October 2, 2001) I bent the rules of the game a bit, by combining a headline with a comic-strip panel. The headline, from the Style section of the local paper, said "Crosses are once again popular, but some see wearing a religious symbol for fashion's sake as a desecration" -- and I juxtaposed it with this panel from that day's Dilbert strip.

Before looking up the comic just now, I had forgotten that it featured a 2020s-style surgical mask and that the creature with which Dilbert is conversing -- a flubbed clone of his boss -- is half horse, as in a recent birdemic joke.

Later that day, I was out on the road. When I stopped at a red light, the motorcyclist in front of me was wearing a shirt decorated with the letters of the alphabet, each accompanied by two associated words and illustrations. This made for a pretty random assortment of pictures -- what the dream in its not-quite-normal use of English would have termed "bric-a-brac."

Of the 20 or so words I could see on the back of shirt, three were misprinted, and they were all in the same area. I snapped a photo.

With a large "letter Q," do we now have not mere common or garden bric-a-brac, but specifically the bric-a-brac of the Right? Notice that both of the words associated with Q are misprinted so as to omit the key letter. Instead of a question, a ruestion; instead of a quail, a uail. Of course, "No Q" is also a Q thing. There's the NOQ Report, and included in the boilerplate at the beginning of every Anonymous Conservative post is the disclaimer "No Q." Just below these two Q-less Q-words, we have V for wolcano.  I remember reading some symbolic interpretation of the alphabet in which W stood for the Roman god Vulcan (since historically W = VV = VU), and volcano comes from Vulcan. (Thinking of such words as uomo, uovo, buono, and ruota, I checked if perhaps vuolcano might be Italian; it isn't.)

Having mentioned "a uail," and also noted that U and V used to be interchangeable, I am reminded of my first mention of Joan of Arc on this blog, in this comment:

I have recently been reading Scott Alexander's novel Unsong. One of the running gags is "biblical pun correction." One of the characters mentions Joan of Arc and is "corrected" by another: "Jonah whale; Noah ark." Later in the conversation, someone says "to no avail" and received the converse correction: "Noah ark; Jonah whale."

The correction is based on hearing "avail" as "a whale," echoed by the V/W confusion seen in wolcano.

All of the items in the photo above also have Torah connections. In Exodus 16, the Israelites are fed with manna and quail, and the word manna is said to derive from the question "What is it?" Mount Sinai, with its fire and smoke, is certainly suggestive of a volcano. (Freud and a few other fringe critics have concluded that it literally was a volcano, but that seems geographically unlikely.) And, in the archaic spelling of the King James Version, Moses "put a vail on his face" (Ex. 34:33).

⁂

What does it all mean? Well, that's the point, isn't it? I've been collecting coincidences like bric-a-brac, like a Bizarro reader playing find the secret symbol, only occasionally discerning a coherent message. Maybe it's time to stop amassing data and start trying a little harder to understand it. I always tag these posts with a line from Dylan; maybe I should pay more attention to the rest of the verse:

The highway is for gamblers, better use your sense
Take what you have gathered from coincidence
The empty-handed painter from your streets
Is drawing crazy patterns on your sheets
This sky, too, is folding under you
And it's all over now, Baby Blue

⁂

Update: I thought, "Give me a hint. What's the core meaning of all these syncs?" and drew a single card from the Rider-Waite. It was this one.

And I thought, It's the wolcano! -- a mountain-like structure with fire coming out the top of it, with a W-shaped lightning bolt. "The Tower" is also an anagram of "two three," and W is the 23rd letter of the alphabet. The card features 22 little yellow flames, with the 23rd being the W-shaped bolt from the black.

The image also punningly suggests bric-a-brac -- the Tower of Babel was built with bricks (apparently a novel construction material at the time), and the Hebrew word for "lightning" is baraq. It is even "brac of the Right," since the baraq comes from the right side of the card. Brique à baraq -- brick for the lightning!

Bric-a-brac is b-a-b, -- bab, "gate," the first morpheme in Babel, "Gate of El." El, besides being a name of God, is how a Cockney would pronounce hell -- as in "upon this rock I will build my church; and the gates of hell shall not prevail against it" (Matt. 16:18). The tower on the card is built on a rock, and the Tarot de Marseille calls it not The Tower but La Maison Dieu, "the House of God."

Babel is also synonymous with the confusion on tongues -- exemplified by, say, ruestion, uail, and wolcano.

Bric-a-brac also contains the string abrac, as in abracadabra.

Nimrod, besides being the name of the man behind the Tower of Babel, is a nickname used by Bugs Bunny for Elmer Fudd, a character notable for his non-standard use of the W sound -- "That wascally wabbit!"

But none of this is an interpretation; it's just adding more synchronistic bric-a-brac to the mix.