Showing posts with label Bob Dylan. Show all posts
Showing posts with label Bob Dylan. Show all posts

Saturday, October 7, 2023

Freeman Zimmerman

Last night, it suddenly crossed my mind that I wanted to listen to some Bob Dylan -- but not by that name. The thought that came to me was, "I'm in the mood for some Bob Zimmerman." That's not how I usually think -- I know the dude's real name, of course, but as a singer he's always "Dylan" -- so instead of putting on any music, I got sidetracked trying to figure out why his birth name had suddenly popped into my head. I finally traced it back to a September 27 blog post by a notorious anti-Semite (sorry, too radioactive to link from a Google blog) which mentioned "my favorite Robert Zimmerman song," adding parenthetically, "Zimmerman was for sure overrated, but claiming he didn’t have a few good ones is a type of anti-Semitism too extreme even for me."

Calling Dylan "Zimmerman" was obviously done in the spirit of "naming the Jew," and this idea of Zimmerman being a distinctively Jewish name made me think of the fact that the only Zimmerman I've ever known in real life was definitely not Jewish. When my family lived in Fallston, Maryland, in the late eighties, our Mormon ward was led by a Bishop Zimmerman, known for his enormous house featuring several secret passages and a Q*bert arcade machine. Thus I forgot all about Bob and his music, instead trying to remember as much as I could about this other Zimmerman.

The name Freeman has been in the sync-stream recently -- see "Syncs: Tropical dreams and not-dreams, 555, Freeman and not-Freeman" (September 29) and "Where Dreamers Become Doers" (September 30). So when I checked the Junior Ganymede last night and found a post referencing a "Sister Freeman" who had spoken at the recent CJCLDS General Conference, I clicked the link in case it should turn out to be synchronistically relevant. Sister Freeman's talk didn't do anything for me -- it falls into the travelogue-as-testimony genre all too familiar to anyone with a Mormon background -- but this part got my attention:

When I returned home from Israel, I listened more closely to the conversations around me regarding covenants. I noticed people asking, Why should I walk a covenant path?

My immediate reaction was: No, you didn't. Why should I walk a covenant path? Who the hell talks like that? Not Mormons! Did I somehow wander off lds.org onto Radix Fidem or something? It turns out I'm just behind the times, though. A word search on lds.org reveals that for the past several years they've been meming the living daylights out of covenant path -- a phrase which did not exist at all in the Mormon discourse of my day. (There's a 2018 Rameumptom post about how Russell M. Nelson -- the M stands for Man -- manpropriated the phrase from some unsung female genius and deprived her of her Nobel Prize. Many such cases.) I also feel I should point out that a single tap of the space bar transforms the phrase into coven ant path.

(This "covenant path" digression doesn't really have anything to do with the rest of this post, by the way. As Charles Kinbote would say, I trust the reader has enjoyed this note.)

This morning I did a bit of desultory browsing on /pol/, including this thread asking "How'd you even first discover /pol/." One anon, responding to the claim that "no one cared about /pol/ until the Trayvon Martin case," posted this dated meme:


Trayvon Martin was a while back (2012), and I wasn't paying much attention even at the time, so I don't get this. I don't recognize any of the faces or understand what the joke is. What I do understand is that it says George "freeman" ZIMMERMAN, followed by a bunch of anti-Semitic buzzwords.

Freeman first entered the sync-stream when I was reading Mike Clelland's novel The Unseen and somehow misread Foreman as Freeman. George Foreman is a household name, but here we have George Freeman. It's also a reference to a non-Jew named Zimmerman (like the Mormon bishop) but still in an anti-Semitic context (like the original Robert Zimmerman reference).

One final sync-link: Yesterday's post "Bigfoot? Bigfoot" included a photo of a T-shirt for sale in Taiwan, printed with rap lyrics referencing the cough syrup-based beverage Purple Drank -- a drug I don't think I've ever had occasion to mention before. The next day I get this Trayvon Martin stuff. You may recall that the justice-for-Trayvon contingent adopted as their symbols the Purple Drank ingredients he had bought just before his death.

Sunday, January 1, 2023

Year of the Tortoise and the Hare


Did you know that the Tortoise and the Hare are implicitly a pair in Chinese astrology as well as in Aesop? Compare this section of the Chinese zodiac:
  • Tiger (2022)
  • Rabbit or Hare (2023)
  • Dragon (2024)
  • Snake (2025)
with the Four Symbols:
  • White Tiger of the West (sunset, autumn)
  • Black Tortoise of the North (midnight, winter)
  • Azure Dragon of the East (sunrise, spring)
  • Vermillion Bird of the South (midday, summer)
The Tortoise holds the same position as the Hare -- after the Tiger and before the Dragon. After the Dragon comes the Snake or the Bird -- calling to mind recent syncs regarding the bird-serpent Quetzalcoatl.

I've posted before about the appropriateness of the last few Chinese zodiac signs. The birdemic began in 2020, the Year of the Rat, rats being associated with plagues. The year of the pecks (called by a name which means "of or pertaining to cows" in French) was 2021, the Year of the Ox. The Year of the Tiger, 2022, saw the focus change to starting World War III. The White Tiger of the West is particularly appropriate, since the West was the aggressor, and the ineffectiveness of its attacks called to mind the old Chinese term "paper tiger."

In Aesop's fable, the hare loses to the tortoise because he forgets that just "being fast" isn't enough if you don't actually run. The Year of the Tortoise and the Hare opens with the U.S., personified in Sleepy Joe, complacent in its role as "superpower" and "leader of the free world." By the end of the year, no one will any longer be able to take that pretense seriously. The Tortoise -- also known as the Mysterious Warrior of the North -- will have pulled off the victory that was supposed to have been impossible.

The Chinese zodiac is actually a 60-year cycle, going through the 12 signs and the 5 elements. The coming year (beginning on January 22, 2023) is a Water Rabbit year (Water also being the element of the Black Tortoise). The last Water Rabbit year ran from January 25, 1963, to February 12, 1964. It was during this year that Bob Dylan recorded (October 24, 1963) and released (January 13, 1964) "The Times They Are a-Changin'."

The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is rapidly fadin'
And the first one now
Will later be last
For the times they are a-changin'

Friday, September 17, 2021

The bric-a-brac of the Right

Very strange, meaningful-seeming dream:

I was part of a group (I just thought of them as "my friends") that met twice weekly to share ideas and creative output. The dream consisted of a few disconnected scenes having to do with that group.

In the first scene, I was preparing to go to one of our meetings and then suddenly remembered that it was actually scheduled for the next day. While I was preparing, I was aware that there was some major disturbance going on outside -- perhaps a war or something like that.

In the second scene, one of the members, a woman, had created a short animated film that progressed very quickly from playful to "edgy" to deeply -- and I do mean deeply -- obscene. No one raised any objection. I didn't either, though I wanted to, because there was just this feeling that we were all supposed to be too cool to take issue with that sort of thing.

In the third scene, another of the members, an older man, was telling a story about some third party (not part of the group) who had made a shirt for himself and "decorated it with the bric-a-brac of the Right -- a slice of pizza, a Torah scroll, other such things. And this of course made him guilty of both the sin of fragmentation and the sin of creating a coherent story."

I thought of the "bric-a-brac of the Right" as being something like the "secret symbols" in Bizarro comics (recurring random items, such as a slice of pie or an upside-down bird, which the artist adds to his cartoons), and I was pretty (but not entirely) sure the man was using "sin" ironically -- saying that the public disapproved of these so-called sins. I took the slice of pizza to be an allusion to the conspiracy theory associated with that foodstuff and the inclusion of a Torah scroll to be some kind of anti-Semitic thing. 

Upon waking, I thought of the incongruity of characterizing the Torah as bric-a-brac, of all things, and it reminded me of something. Back in the days of daily newspapers, my father and I used to share the hobby of creating what he called "subliminal comics." The idea was to cut out three or four panels -- each from a different comic in the same paper -- and combine them to make a new strip that sort of made sense. One time (it was, apparently, on the palindromic date of October 2, 2001) I bent the rules of the game a bit, by combining a headline with a comic-strip panel. The headline, from the Style section of the local paper, said "Crosses are once again popular, but some see wearing a religious symbol for fashion's sake as a desecration" -- and I juxtaposed it with this panel from that day's Dilbert strip.

Before looking up the comic just now, I had forgotten that it featured a 2020s-style surgical mask and that the creature with which Dilbert is conversing -- a flubbed clone of his boss -- is half horse, as in a recent birdemic joke.

Later that day, I was out on the road. When I stopped at a red light, the motorcyclist in front of me was wearing a shirt decorated with the letters of the alphabet, each accompanied by two associated words and illustrations. This made for a pretty random assortment of pictures -- what the dream in its not-quite-normal use of English would have termed "bric-a-brac."

Of the 20 or so words I could see on the back of shirt, three were misprinted, and they were all in the same area. I snapped a photo.


With a large "letter Q," do we now have not mere common or garden bric-a-brac, but specifically the bric-a-brac of the Right? Notice that both of the words associated with Q are misprinted so as to omit the key letter. Instead of a question, a ruestion; instead of a quail, a uail. Of course, "No Q" is also a Q thing. There's the NOQ Report, and included in the boilerplate at the beginning of every Anonymous Conservative post is the disclaimer "No Q." Just below these two Q-less Q-words, we have V for wolcano.  I remember reading some symbolic interpretation of the alphabet in which W stood for the Roman god Vulcan (since historically W = VV = VU), and volcano comes from Vulcan. (Thinking of such words as uomo, uovo, buono, and ruota, I checked if perhaps vuolcano might be Italian; it isn't.)

Having mentioned "a uail," and also noted that U and V used to be interchangeable, I am reminded of my first mention of Joan of Arc on this blog, in this comment:

I have recently been reading Scott Alexander's novel Unsong. One of the running gags is "biblical pun correction." One of the characters mentions Joan of Arc and is "corrected" by another: "Jonah whale; Noah ark." Later in the conversation, someone says "to no avail" and received the converse correction: "Noah ark; Jonah whale."

The correction is based on hearing "avail" as "a whale," echoed by the V/W confusion seen in wolcano.

All of the items in the photo above also have Torah connections. In Exodus 16, the Israelites are fed with manna and quail, and the word manna is said to derive from the question "What is it?" Mount Sinai, with its fire and smoke, is certainly suggestive of a volcano. (Freud and a few other fringe critics have concluded that it literally was a volcano, but that seems geographically unlikely.) And, in the archaic spelling of the King James Version, Moses "put a vail on his face" (Ex. 34:33).

What does it all mean? Well, that's the point, isn't it? I've been collecting coincidences like bric-a-brac, like a Bizarro reader playing find the secret symbol, only occasionally discerning a coherent message. Maybe it's time to stop amassing data and start trying a little harder to understand it. I always tag these posts with a line from Dylan; maybe I should pay more attention to the rest of the verse:

The highway is for gamblers, better use your sense
Take what you have gathered from coincidence
The empty-handed painter from your streets
Is drawing crazy patterns on your sheets
This sky, too, is folding under you
And it's all over now, Baby Blue

Update: I thought, "Give me a hint. What's the core meaning of all these syncs?" and drew a single card from the Rider-Waite. It was this one.

And I thought, It's the wolcano! -- a mountain-like structure with fire coming out the top of it, with a W-shaped lightning bolt. "The Tower" is also an anagram of "two three," and W is the 23rd letter of the alphabet. The card features 22 little yellow flames, with the 23rd being the W-shaped bolt from the black.

The image also punningly suggests bric-a-brac -- the Tower of Babel was built with bricks (apparently a novel construction material at the time), and the Hebrew word for "lightning" is baraq. It is even "brac of the Right," since the baraq comes from the right side of the card. Brique à baraq -- brick for the lightning!

Bric-a-brac is b-a-b, -- bab, "gate," the first morpheme in Babel, "Gate of El." El, besides being a name of God, is how a Cockney would pronounce hell -- as in "upon this rock I will build my church; and the gates of hell shall not prevail against it" (Matt. 16:18). The tower on the card is built on a rock, and the Tarot de Marseille calls it not The Tower but La Maison Dieu, "the House of God."

Babel is also synonymous with the confusion on tongues -- exemplified by, say, ruestion, uail, and wolcano.

Bric-a-brac also contains the string abrac, as in abracadabra.


Nimrod, besides being the name of the man behind the Tower of Babel, is a nickname used by Bugs Bunny for Elmer Fudd, a character notable for his non-standard use of the W sound -- "That wascally wabbit!"

But none of this is an interpretation; it's just adding more synchronistic bric-a-brac to the mix.

Monday, January 4, 2021

Look out

A personal motto of mine, and a frequent tag on this blog, is "The highway is for gamblers." It comes from the Bob Dylan song "It's All Over Now, Baby Blue."

The highway is for gamblers, better use your sense
Take what you have gathered from coincidence

I'd never given any particular notice to the two lines before "The highway is for gamblers" -- until now.

Look out the saints are comin' through
And it's all over now, Baby Blue

Friday, March 13, 2020

Reprise

Therefore have I uttered that I understood not; things too wonderful for me, which I knew not.
-- Job
They sang this at the beginning of the era. Here it is again at the End. I have no time for those who say Dylan wasn't a prophet.


Sunday, December 15, 2019

Safka's Dylan

While most of the luminaries of the the '60s and '70s pop music scene were represented in my parents' record collection, conspicuous by his absence was the inimitable Bob Dylan, for whom they both professed (and still profess!) an especial dislike. (My father liked to tell a story about how his college roommate had put up a big poster of Dylan on his side of the room, and how he had retaliated by putting up an even bigger poster of the Ideal Beef Steer on his, which I guess showed him!) Like acorns that have to be boiled and drained and reboiled before they begin to approach edibility, Dylan songs were deemed to be fit for human consumption only after they had been processed and reconstituted by the likes of Peter, Paul, and Mary -- and that was the only way I ever heard them throughout my childhood. (I remember the frisson of discovering a tune called "It's a-hard, and it's hard" in one of my banjo books and realizing it might be the mysterious and much-maligned "Eets-a harrd" song of Dylan's, but it turned out to be some unrelated Woody Guthrie thing.)

So naturally, as soon as I was old enough to start acquiring my own music collection, I began cultivating a taste for Dylan -- perhaps the only teenager in history to choose that particular way of rebelling against his Boomer parents! -- and a concomitant disdain for easy-listening covers, which increasingly struck me as vaguely gauche, like fruit-flavored beer. No Byrds, no Peters, no Pauls, and no Marys, thank you, and may God forgive Ritchie Blackmore!

The first crack in my zero tolerance for Dylan covers appeared in 2004 when I discovered a reworking of the Dylan fragment "Wagon Wheel" by the old-timey LARP group Old Crow Medicine Show -- which happened to be playing on the radio as I was packing my suitcases at the start of my Wanderjahre, and which became a sort of private theme song for a good long time.


But for a long time that remained an isolated exception, made for sentimental reasons, to an otherwise ironclad preference for the Man Himself.


It wasn't until years later that I became aware of the existence of one Melanie Safka, who was apparently known as plain Melanie back in the day. I first encountered her through her version of “Ruby Tuesday,” which I love and hate at the same time, that voice almost — almost — being enough to persuade me to forgive the nonchalant vandalization of Keef’s perfect lyrics. Such other pieces of hers as I happened upon left me similarly ambivalent. "Lay Down (Candles in the Rain)" for example, is undeniably a work of talent but can, I think, only be fully appreciated by a genuine member of the Woodschlock generation -- which I, for all my anachronistic listening habits, am not.

The first Safka piece that really got my attention and won her my full respect was her heartbreaking rendition of James Taylor's "Carolina in My Mind" (ain't it just like a friend of mine to knife me in the gut?).


After hearing that, I was willing to take a deep breath and give her Dylan remakes a try -- and, well, all is forgiven. She demonstrates an undeniable right to reinterpret the master, making each song her own and creating pieces that are as beautiful in their way as the originals are in theirs. (I had originally written "perfect" instead of "beautiful," but of course that would be a singularly inappropriate adjective to apply to the rough-edged, organic, imperfect genius of either Safka or Dylan.)



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