Tuesday, May 18, 2021

The dragon and the subterranean swan

Back in December 2019, I posted about an allegorical picture of my sister Kat's -- a rather unconventional depiction of the Last Judgment, using a swan in an underground chamber as a symbol of Christ.

Then Cometh the End

I connected this with a drawing by Oswald Wirth which I had seen a few days earlier -- the Judgment card of the Tarot, with a huge swan replacing the angel who sounds the Last Trump. Just as Kat's swan is underground, Wirth's seems to be diving down into an open grave.


Wirth associates each of the Major Arcana with a constellation, and the constellation associated with the Judgment is Cygnus, the Swan. These correspondences are summarized in this diagram, taken from an English translation of Wirth's Le Tarot des imagiers du Moyen Âge.


Note that Cygnus is directly above Draco and oriented as if it were diving down towards the dragon. (These two constellations are not so oriented in the sky.) Notice also that Draco is labeled 13, meaning that it corresponds to the nameless 13th trump, which represents Death. Wirth's swan drawing also shows the swan diving down into a representation of death, while Kat's shows the swan already in a sort of "underworld."

In his 2006 article "Constellations Testify of Seven Angels," John P. Pratt connects the Swan with Simon Peter -- who was, famously, crucified upside down.

The constellation of the Cross is usually called the Southern Cross because another name for the Swan is the Northern Cross. Note how the stars in the Swan form a nearly perfect crucifix in the heavens. And also note that the Swan is upside-down on the cross, the head of the Swan being the foot of the cross. Could it be that Peter's upside-down crucifixion could have been represented in these heavenly figures thousands of years before it occurred? What do you think? There is no doubt in my mind that the answer is yes, because the symbolism is too clear and too perfect.

There is no dragon in the story of Peter's martyrdom, but it does feature the "swan" (Peter) being in an underground chamber. In the same article, Pratt quotes this account of the apostle's last days.

Maliciously condemned, Peter was cast into the horrible, fetid prison of the Mamertine. . . . described as a deep cell cut out of solid rock at the foot of the capitol, consisting of two chambers, one above the other. The only entrance is through an aperture in the ceiling. The lower chamber was the death cell. Light never entered it and it was never cleaned.

This deep cell, accessible only through an aperture in the ceiling, suggests the cavern in Kat's drawing, or the open grave in Wirth's. The use of the word "aperture" in this context also puts me in mind of one of the most laughably bad passages in the Bible translation used by Jehovah's Witnesses: "upon the light aperture of a poisonous snake will a weaned child actually put his own hand" (Isaiah 11:8; KJV "the weaned child shall put his hand on the cockatrice' den") -- giving us an indirect link to the serpent or dragon.

Finally, the identification of the swan with the angel of Judgment, and its association with the dragon, ties in with the Rider-Waite version of the Judgment card, where the angel bears the banner of St. George the Dragon-slayer.


In a recent post, I saw the name George paired not just with the dragon, but with Draco -- the Dragon as constellation.

2 comments:

A said...

I love your sister's drawing!

John C. Wright has a great youth book "Swan Knight's Son" based on the legend of the Swan Knight. Not to give-it-away but the son discovers Elves, in alliance with evil, are harvesting energy from humans by basically turning them into mindless zombies - he ends up getting involved in a duel with The Green Knight...

Which of course is based in Sir Gawain (which might be "Hawk of May" in Welsh).

In German legend The Swan Knight is the son of Percival... which is probably the Welsh Peredur - probably derived from "Spear" (https://en.wikipedia.org/wiki/Percival)

Maybe a St. George connection there too.

--

Is the Ram in 5 holding a fleur-de-lis (Joan of Arc) - or is it a different symbol?

Wm Jas Tychonievich said...

I thought of the Swan Knight, too, and read a few summaries of the legend, but couldn't find any clear connections. I didn't know Mr. Wright had written about it.

Good catch regarding the Ram! A lamb holding a banner is standard iconography (called Agnus Dei in religious art and the Paschal Lamb in heraldry), but the banner always bears the cross -- usually a red "St. George" cross on a white field. I have never seen a ram or lamb holding a banner with any other charge. I think it is indeed a fleur-de-lys (discussed by Wirth here).

Incidentally, the Ram is numbered 5 because Wirth associates Aries (the leader of a flock of sheep) with the 5th Tarot trump, which is the Pope.

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