Last November, I thought of some lines from Walt Kelly's old malapropism-driven comic strip Pogo and tried to track them down online. In the strip I was thinking of, one of the characters says, "A frog's not a bird. It's a behemoth!" and another character responds with,
Oh, be he moth or be he bird,
He's the prettiest frog I've ever heard.
I couldn't remember anything about the context, not even which two characters had this little exchange (Churchy and Howland maybe?), so I thought I'd try to find the strip.
Unfortunately, Calvin and Hobbes is the only comic cool enough to get its own search engine, so I had to use regular Google. When I put be he moth or be he bird into the search box, all that came up was the They Might Be Giants Song "Bee of the Bird of the Moth." As a long-time TMBG listener, I knew that song well, but I had never made the connection to the Pogo line. It's quite a striking one, though; how often do you find be(e), moth, and bird juxtaposed like that?
The TMBG song was almost certainly not inspired by some obscure Pogo strip from who knows how long ago. (My mother has scads of old Pogo books from the forties and fifties, and I read them all many times as a child.) They credit Jonathan Lethem as their source, one of his "promiscuous songs" (free lyrics for bands to use or adapt) called "The Moth of the Bee of the Birds," which is about a sort of sexual Bartleby who "would prefer not to" have anything to do with the birds and the bees.
Pollinate? I’d prefer not to
I’d prefer anything
to being
the moth of the bee of the birdsFind a mate? I’d prefer not to
I’d prefer anything
to bee-ing, to bird-ing
the moth of the bee of the birds . . .
They Might Be Giants pinch the bee/bird/moth combo but otherwise completely rewrite the song. "The Bee of the Bird of the Moth" is about the hummingbird moth -- a sort of moth which resembles a sort of bird which resembles a bee. This chimerical creature becomes a symbol of the breaking down of boundaries, of things that should be utterly distinct blurring together, and of Goya's "sleep of reason" that produces monsters.
I made a note of this Pogo/TMBG connection back in November but didn't post about it because it didn't seem connected to anything else. Now, though, the word behemoth has appeared in the sync-stream, and things are different. I posted about behemoth, and its connections to Enoch and to killer whales, in a post titled "Call me Ishmael" -- the famous opening sentence of Herman Melville's greatest novel, Moby-Dick. Melville's greatest short story is without question Bartleby, The Scrivener, and its defining line is, "I would prefer not to."
There's also the fact that the Pogo cartoonist's name is Walt Kelly.
Got a brand new shipment of electrical equipmentIt's addressed to the bottom of the seaSend a tangerine-colored nuclear submarineWith a sticker that says STPWindshield wiper washer fluid spraying in the airHead lice under hats lie in the headlights everywhereSubatomic waves to the underwater cavesOf the bee of the bird of the moth
2 comments:
This post is incomplete without mentioning the following song:
What a Queer Bird the Frog Are.
Kek. Great find!
“What a Queer Bird” dates back to 1922, pre-Pogo. Walt Kelly had an encyclopedic knowledge of folk songs, and the be-he-moth strip may well be a direct reference to that song. I really need to track down that strip.
The Wikipedia article on “What a Queer Bird” mentions that Bill Murray once recited that poem while “dressed as an Elizabethan king” (sic). Since “Elizabethan king” is strictly an oxymoron, the wording strikes me as synchronistically significant. Dee and Kelley were of course Elizabethans, and Dee Dee Ramone sometimes used the pseudonym “Dee Dee King.”
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