The appearance of a white hart, or a black dog, or a raven, will often indicate the opening of the ways between the human and Green World [of Faerie], and those whose awareness is drawn to these creatures are alerted to the fact that the veil between the worlds is about to be lifted and may allow the seeker to pass through.
A few hours later, I was looking for something on archive.org and, as usual, clicked for a randomly selected /x/ thread en route. I got a 2020 Divination General thread with this as the lead image:
It's the Hermit card from a deck called the Tarot of the Divine, the main departure from the usual iconography being the addition of a white hart. That coincidence piqued my curiosity, so I immediately clicked for a second random thread and got this one from 2023, with this as the lead image:
As the original filename makes clear, this is meant to be a depiction of the Bermuda Triangle -- reputed to be a portal by which people may "pass through" into another world. As Wikipedia summarizes it:
Some hypothesize that a parallel universe exists in the Bermuda Triangle region, causing a time/space warp that sucks the objects around it into a parallel universe.
An airplane flying into a "time/space warp" reminded me of this image, which I posted in "Love pop, baby, love pop" (September 2024).
The band is named after an aircraft, and the concentric circles in the background are juxtaposed in the post with several similar designs suggesting portals or time warps, such as this one:
I've also posted a similar design featuring a white hart, as in this image from "Follow-up on antlers, crosses, and the Liahona" (February 2024):
27 comments:
Speaking of the concentric rings that emblematize time/space warps, if you look closely at the Hermit card, you can see in the distance what must be a set of same which is partly obscured by the horizon and presumably indicates sundown. Perhaps it signifies the passing of an age; yet, im Untergang des Abendlandes the hermit, the white hart, and the forest remain. (The hermit-- nous; the white hart-- the object of eros; the forest-- eternal physis.)
Hours after posting this, with its mention of the B-52's, I somehow ended up watching this video, which ends by citing as inspiration a channel called Area 52, with a logo that says A52.
https://youtu.be/ZvRmcMA0PhA
It's obviously referencing Area 51, which has been part of the Ant Money sync stream. This has been linked to D&C Section 51. By chance, in my regular reading of the scriptures, I read several sections of the D&C today, including both 51 and 52.
The B-52's came up in part because of the plane in that Bermuda Triangle picture, which I think is a DC-3, so that's another D&C link.
William,
Wade in his comment has mirrored my perspective
about the shifting of ages which, as I've shared
many times, I believe that humanity is on the precipice
of a Shifting of Ages.
The Industrial ( iron) Age to the Silicone ( data) Age
aka The Great Reset and metaphysically from the Age of Pisces
to the Age of Aquarius.
I also absolutely believe in a parallel universal.
I believe that our soul can see both and it does so
every night in REM.
My 1990 dream that came tragically true in 1995
and my paranormal antique barn experience in the late 1990's
has convinced me that there are two paths
that we can choose.
Clairvoyance, which is a siddhis power, helps us change
direction either way.
The man in the illustration holding an umbrella is interesting.
Mary Poppins comes to mind.
Recall my many comments about umbrella symbolism.
And speaking of Mary Poppins and umbrellas
and levitation and Nigredo's Oh MY!,
I found this clip of the 1964 movie Mary Poppins.
Note in the video clip ( link below )
the black cloaks worn are Nigredo symbolism.
The umbrella has a dual purpose.
The umbrella can lift OR it can serve as an instrument
for a soft landing.
In the video clip note the reference to both the water( Navigators)
and the air ( Aviators) both at the mercy of
the changing of the wind. As above, so below.
The mention of a black dog and raven in Red Tree, White Tree
are both Nigredo symbolism, which the Nigredo
being the start of all alchemical transformations.
Levitation is wind/air energy. A HORN ( Trumpet)
is a wind instrument.
Aquarius , as in the Age of Aquarius, is an air sign.
I don't know if you are familiar with planet placements
but a very interesting planet placement occurred
in 2024. That placement is Pluto in Aquarius.
Copy and paste: ( link below )
"Pluto in Aquarius (2024–2044): Revolution, Networks,
and the Decentralization of Power
The last time Pluto was in Aquarius, the world was remade.
Between 1778 and 1798, the American colonies
declared independence from Britain and established a republic based
on Enlightenment principles.
France overthrew its monarchy in the most dramatic
political revolution in modern European history."
~~~~~~~
Perhaps you can see why I believe very much
in following the symbolism
of our dreams and syncs to understand
and see the big picture.
I believe that our soul wants us to see
the big picture as the big picture
is the reason for our syncs and paranormal experiences
in the first place.
I do not believe that the paranormal is demonic,
although everything in this duality dimension
has a dual nature.
In the video clip listen to the little boy
who mentions Mary Poppins as having
rosy cheeks. Mary Poppins is symbolic
of a ROSY ( Rosicrucian. )
The Rosys knew the Sacred Science Knowledge i.e
the Language of the Birds.
Regarding all of your deer illustrations,
recall my many comments about the appearance of deer
in recent movies, Spielberg's upcoming Disclosure Day
and the apocalyptic 2023 movie Leave the World Behind
and of course the 3 deer in my backyard last summer.
In the illustration, the white deer has an eye of blue.
Regarding Area 51: Area 51 is on the 33,
where sacrifices are performed.
Mary Poppins Flying Nanny Scene
https://www.youtube.com/watch?v=5BHoDW9f7vY
https://mysticryst.com/blogs/the-mystic-journal/pluto-in-aquarius-2024-2044-revolution-networks-and-the-decentralization-of-power
William,
I was curious, once again, about the symbolism
of 51 and 15 and if you recall I connected both
as twinning numbers and the single digit of 6.
6 being the Magic Square
of the Sun's number666 along with 111.
Area 51, at Groom Lake is most certainly sun rich
being in Nevada. Interesting the name Groom.
It's also interesting that Groom Lake was once
a mining town. Another Nigredo symbolism
because of the 'underground' ( dark ) mines.
In Mary Poppins , the character Bert played
by Dick Van Dyke, was a chimney sweep.
I then checked London's coordinates
because London is the setting for Mary Poppins.
Lo and behold London's lat is 51.
Also lo and behold another coincidence!!
As I was writing my comment, playing
in the background on my music youtube feed,
one song ( of many) of my mix playlists ( different
artists, different years ) starting playing
the 1968 song by Harry Nilsson, titled Everybody's
Talkin' from the 1969 movie Midnight Cowboy.
If you're familiar with youtube mix playlists you'll know
that the algo 'chooses' the mix of songs that the
user has either played often or clicked as favorites
and it's the algo that chooses the order of the
playlists. It wasn't me who chose the song
Everybody's Talkin' to play at the same
time as I was writing about the sun.
Here's a portion of the lyrics: asterisks mine
"I'm goin' where the **** sun keeps shinin'
Through the pourin' rain
Goin' where the weather suits my clothes
Bankin' off of the ****northeast winds***
Sailin' on summer breeze
And skippin' over the ocean like a stone."
~~~~~~~~
I asterisked northeast winds because
of my previous comment about the air/wind
energy.
A Midnight Cowboy could also be Nigredo
symbolism.
Area 51 of course is out west. Where
the **deer and the antelope play.
Note on the cover of Nilsson's 1968 album
Aerial Ballet ( Everybody's Talkin' being
on the album) is an airplane, with a
trickster/clown falling down.
Note Nilsson is a very PALE White
guy with red/orange hair, much like
Oscar.
Sync fairies be masters of getting
our attention, at least they are for me.
Everybody's Talkin' (From "Midnight Cowboy")
https://www.youtube.com/watch?v=K5UNot9M-ro
https://en.wikipedia.org/wiki/Aerial_Ballet
William,
I just wanted to add one more thing about my
perspective about connecting puzzle pieces
so as to see the big picture especially
where it concerns Pluto in Aquarius and the Shifting
of Ages.
Recall my many comments about my 1974 Past Life
reading. The reader told me in addition to my
past life incarnations in Atlantis and Tibet, that
my soul has always incarnated on earth in times
of Great Upheavals and it scared him that my
soul is here now.
Think about that and how it connects with
Pluto in Aquarius. If you haven't read the
article I linked please do.
From all of my puzzle pieces connecting
I've come to believe that humanity is on the precipice
of a great upheaval which I shared my
perspective many times on your blog.
I certainty had no clue about Pluto in Aquarius
in 1974 and really only came across this information
in the last few years or so. In 1974 I didn't
really think twice about what the reader told
me about great upheavals.. I remembered it yes, but
at 19 my mind was on my immediate future.
I can see a probability that maybe my incarnation
in Atlantis was at the time of the great deluge
although the reader didn't specifically say that.
It's just me now trying to make things make sense.
I do have a great fear of water.
Perhaps the incarnation in Tibet as a Monk
would have been after the great deluge
and would explain why the SS and the Thule
Society believed
that the Tibetans were the original Aryans
from Atlantis. ( see link )
Levitation being Vril energy which
perhaps my soul carried over from Atlantis.
I think I shared this with you about
my research on the Lung-gom-pa.
Recall in my comments about my
dreams of levitation I shared that
I'm most always running from a group of people.
copy and paste:
"Lung-gom-pa is esoteric skill in Tibetan Buddhism,
which is said to allow a practitioner to run
at an extraordinary speed for days without stopping.
This technique could be compared to that
practised by the Kaihōgyō monks of Mount Hiei
and by practitioners of Shugendō, Japan.
Alexandra David-Néel, in her book Magic and Mystery
in Tibet, describes how she saw a lung-gum-pa runner
in action. After witnessing such a monk David-Néel
described how "[h]e seemed to ****lift himself from the ground.
His steps had the regularity of a pendulum
the traveller seemed to be in a trance".
~~~~~~~
My birthdate Feb19 is on
the cusp of Aquarius and Pisces.
I don't think any of this is a coincidence
and for me it's as real as real can bee.
https://en.wikipedia.org/wiki/Lung-gom-pa
https://atlantipedia.ie/samples/tag/aryans/
William,
Another very interesting and in-depth article about Lung-gom-pa,
which were those who had the clever control of ‘internal air’.
https://inscribedonthebelievingmind.blog/2018/09/15/lung-gom/
Though I didn't recall the fact yesterday morning when I hastily wrote my comment above on the way out the door to my daily grind, I now remember that I scrutinized this deck, "Tarot of the Divine", online last year and found it intriguing. While I don't think it's indicative of the deck as a whole, "The Hermit" has to my mind a neo-pagan air about it. It would seem that the trees are meant to echo the hart's antlers, perhaps suggesting that the earth is itself a hart, though maybe not a white one. People typically speak of red earth or black; maybe the earth-as-hart is one or the other. It's somewhat reminiscent of the Marseille deck's "Le Pendu", where tree limbs have apparently been cut to form a trellis of sorts, and which limbs William likened to "the antlers of a stag". In "The Hermit", the trees remain in their natural form; in "Le Pendu", they've been cut down, and it isn't entirely clear whether "the hanged one" is suffering punishment or performing a stunt. (Perhaps in attempting the latter, he by accident underwent the former.)
If we're willing to entertain a red hart that corresponds with red earth, then we have a red/white contrast that accords with a couple of other red/white pairs we've come across lately such as Red/White Valentine's Days and red/white Phrygian caps. Red Valentine's implies a red heart, in contradistinction to a white hart. What's more, the Hermit is himself carrying a blood-red staff (that's how it appears on my phone). Is it meant to imply that the staff does double duty as a kind of spear or cudgel whereby he hunts the stag? If the hart, as the object of a hunt, represents the object of desire-- what is it that the Hermit (which I earlier correlated with "mind") desires? Perhaps the mind desires the hunt itself, as controversy is the essence of mental life. Alternatively, given the correspondence between the white hart and the celestial cosmos, knowledge of the latter may be what is in view.
The sundown brings the stars in its train: this forms the background to the scene. The mighty light of the sun gives way to the lesser light of stars, but starlight and night-time possess a charm of their own. The hunt might take place at night, when the white hart is vulnerable in the dark and the hermit hides behind his black cloak. The concentric rings which radiate the Sonnenuntergang, and that constitute an analogue to other patterns signifying space/time warps and which I analogized to cyclical historical change-- how many are there? Including the lowest and brightest degree of sunlight on the horizon line, I count seven. I'm given to understand that traditional, pre-modern astrology dealt in seven celestial bodies.
Evidently, "the individual branches or sharp protrusions that grow off a deer's main antler beam are called tines or points." Now one can clearly see a foreground, and a background, antler. Each one has seven tines. The twilight and the antlers echo each other. If we understand a stag's antlers and tines to serve a purpose that is both offensive and defensive, then historical drift might too be an offensive and/or defensive maneuver in the warp of being-- perhaps offensive and/or defensive principally in relation to the hermit and whatever he signifies.
The hart's eye is the same color as the stars-- ice blue-- further associating the hart with the twilight. I've counted the stars and I believe there are thirty-one. There are nine trees: five in the foreground, four in back. It's plausible I think to count the total number of trees, antlers, concentric rings, and stars. Together, they add up to sixty-one. If, however, we count only the foreground antler and trees (plus the stars and rings), we get fifty-four.
Anyway, I couldn't resist asking the Dioscuri to translate "the white hart" into Adûnaic. It is: An-nimri razâ. They also said that, if it were to be deployed as a proper name it would be slightly modified. Interestingly, they specifically cited Ar-Pharazôn as a corresponding example. As a proper name it is: Nimrirazâ. Nimri is coincidentally or deliberately evocative of the biblical Nimrod, the great hunter.
Given the sync between what William read in the book about "a white hart" and the subsequent appearance of The Hermit card with a white hart, it might suggest that something special in the sync-stream is coming up. The "A52" sync is a good one as well. And yes, on Dec. 28. 1948, a DC-3 disappeared between Puerto Rico and Florida, becoming one of the definitive incidents in the Bermuda Triangle saga. Note the downward facing triangle signifying water in the DC-3 image.
Harts are "red" by default. The word is defined as "an adult male deer, especially a red deer over five years old."
That Adunaic translation is completely made-up, of course. Who needs misinformation, disinformation, malinformation, and hate speech when we've got "AInformation"?
Reading the first of Wade's latest comments in my RSS app, I moved to the browser to look over this post and reexamine the Hermit's staff (yeah, blood red seems close enough). It was the plane picture that made me pause, because at the time my headphones were pumping the "Aeroplane" remix of Friendly Fires' "Paris". Additionally, there's a repeated line in it that I've always misheard as "[garbled] the air force"; Genius tells me the actual line is "They'll be out for us", with they referring to stars and city lights.
youtube.com/watch?v=c7e1ac16Xcw
Firstly, "hart" is a poetic term, not a zoologic classification. That "harts are 'red' by default" alters not a thing I wrote. I had a single line where I imagined the earth being emblematized by a red or black hart. I might well have imagined a fuchsia hart. In imagination, in the realm of poetry, myth, and tarot cards, anything is possible-- even levitation. And according to your own definition a hart is "an adult male deer, *especially* a red deer..." That "especially" is interesting.
And, again, that something is "made up" is not an argument against its meaningfulness as a sync.
Though William doesn't give a sh*t, perhaps somebody will: "the red deer" in Adûnaic: An-karasa razâ.
So it's a red raza and a white raza? For those of us who don't speak AI-dunaic, "La Raza" usually refers to Latin American mestizos, of mixed Red and White ancestry. Wendy Berg's book is also largely about the merging of "Red" human and "White" faerie lineages.
Lol! I almost forgot. This whole bloody post, including its title, is about "a white hart". A *white* HART.
But the "raza" sync-- good catch, William.
Yes, a white hart -- a white version of a red deer, thus giving us the two colors we've been discussing. But what can you mean by saying you "almost forget" about the white hart, when all your comments have been about it?
I don't know if that "bloody" was intentional, but Wendy Berg maintains that humans have red blood, while fairies have white blood. Our red blood is pumped by a red heart, so I suppose white blood would be pumped by a white heart.
William,
part 1 of 2
Regarding red and white , and IMHO, is symbolic of the Red King
and White Queen in Alchemy and the Sacred Marriage.
Switzerland's' Red Cross colors are red and white.
The sacred marriage is the union of opposites i.e
duality, male and female which when joined
is the Rebis.
Copy and paste:
"In alchemy, this is the hieros gamos (sacred marriage)
or the union of the King and the Queen where the King
represents the spirit and the Queen, matter.
Other names such as filius sol et luna
(son of the sun and the moon) or filius philosophorum
(son of the philosopher) are also alchemical terms
that Jung used to talk about that second
mystical experience.
But above all, it is the philosopher’s stone
or the stone which is not a stone, the lapis philosophorum
(the stone of the philosopher).
*****That experience is particularly rare because one
must have lived the first experience to access the second one.
In Jungian psychology terms, we would say
that the ****shadow and the anima must be integrated
to access the second mystical experience.
The rebis is a particularly strong symbol of the experience
of the Philosopher’s Stone because male and female, king and queen,
sun and moon are all symbols of
**** the conjunction of spirit and matter."
~~~~~~~~~
I placed asterisks to make my point. The reference to having lived
the experience to access the second one, mirrors my perspective
regarding: that everything is a belief if we haven't experienced
something ourselves.
If someone tells me that the paranormal is just mumbo jumbo
and that no human can see into the future because
THEY themselves haven't had
those experiences, doesn't mean that their belief
is a fact. It's not.
It's their belief, a strong belief perhaps but a belief nevertheless.
Their belief, but my truth.
I placed asterisks around: "the shadow and anima must be integrated
to access the second mystical experience" because it mirrors
my perspective regarding you William and the shadow.
We all have the shadow archetype and until that dragon is slayed
we can't proceed through the door, and in Jung's work, proceed
to the second mystical experience which is the REBIS,
the integration of spirit with matter.
The siddhis powers is an integration of spirit with matter.
William,
part 2
The shadow archetype is stuck in the duality of either/or.
Can't see the forest for the trees.
The birds see beyond the trees.
Plato, John Dee, Francis Bacon et. al were all alchemists first
and foremost. They were mathematicians, occultists, aviators
and navigators, astrologers and astronomers who knew
the power of the magic square ( which I've come to believe
is the Key) and masters of The Language of the Birds.
Hermes was a Rebis. I believe that Plato, John Dee, Francis Bacon
Manly P. Hall et. al all believed that The New Atlantis
would be the home of the rebirth of the Rebis, the Great Work,
Magnum Opus.
I believe that the Atlanteans had gained the power to
transcend duality and became a 'Rebis people'
especially the el-ite. God's light or God like.
So did they have the power of levitation via the Siddhis?
If they indeed were able to transcend duality,
I absolutely believe they had the ability to physically
levitate matter. Of course the body is matter.
However I think the Atlanteans abused that power.
My soul being one of those Atlanteans
as Alex Jones told me in my 2008 Suzy dream.
That would explain, at least to me, why I'm serving
a 19 Karmic Debt which is an abuse of Sacred Knowledge.
Which would explain, again at least to me,
why God brought hell with high water to the Atlanteans.
The Atlanteans were NOT God.
Perhaps my responsibility this incarnation
(to pay back the debt) is by trying to remind people
that we ALL are more
than our physical bodies.
We are not Gods, of course not
however I believe that God works through us
to help us evolve.
That's my humble opinion of course.
Our opponents do not want us to know or understand
our power source and will do anything to prevent
us from doing so as they are adamant as far as
retaining the Sacred Science knowledge for themselves.
Their final frontier had always been Transhumanism
via A I which is NOT NEW.
My cave comments have connection to all of this which
I won't repeat here.
All of this is from my metaphysical
perspective of course.
https://www.gnosisjung.org/2025/02/the-philosophers-stone-mystical.html
William,
I just want to add yet another sync that just happened yesterday
( June 11). that connects to the siddhis powers and levitation.
Backstory:
Yesterday Marshall and I were sitting on the porch.
He was reading the May27- June 2 edition of the newspaper
The Enoch times.
I was sitting on the porch, not too far away
from Marshall, watching the cardinals and other
birds at the bird feeder.
At one point, and for no particular reason I glanced
over at Marshall and I very briefly saw the title
of one of the articles as Marshall was sorting
though the pages of the newspaper.
I immediately said to Marshall: 'that's odd!!
He of course asked what I was referencing to
and I asked him to give me the last page
of the paper, which clearly on the title of
the article read: The Real Crouching Tiger,
Hidden Dragon. ( see the online article
link below, but keep in mind Marshall
was reading the actual paper, not the online article )
What was odd is that the day before I was
reading to Marshall all of the back and forth
of the recent comments on your blog regarding the real or fake
of levitation when I suddenly remembered the 2000
movie Crouching Tiger, Hidden Dragon
which I reminded Marshall of the levitation scenes
in that movie.
Marshall and I both saw Crouching Tiger in 2000
and I fell in love with that movie, especially
the levitation scenes ( of course :_)))
While watching the movie I felt like I was home.
The characters, the scenery, the clothing, the music even
the story line of the protagonist Yu Jiaolong
and several other important characters
having the siddhis sacred knowledge.
I haven't seen Crouching Tiger
for many many years, so I thought it very odd
that ' coincidently ' I would turn at just the right second
for me to get a glance of that article and if
it wasn't for that fact that Marshall and I were
just talking about Crouching Tiger the day before,
I don't think I would have really noticed it.
Marshall gave me the sheet of paper with the
article as I told him that I believe that there
had to be something in the article that I needed
to know and sure enough it was
which is an upcoming meeting with
Trump and Xi Jinping in Autumn.
Recall I just recently commented
about the harvest.
Today ( 6/12 ) I decided to stream Crouching
Tiger on Amazon prime and I was almost
giddy watching the levitation scenes in the movie.
Felt like I was home.
If you've never seen Crouching Tiger, I would highly suggest it.
Sync fairies be workin' overtime for real.
https://www.theepochtimes.com/opinion/the-real-crouching-tiger-hidden-dragon-6033664?welcomeuser=1
Crouching Tiger, Hidden Dragon (2000) Trailer
https://www.youtube.com/watch?v=-jTdOdcMKoY
https://en.wikipedia.org/wiki/Crouching_Tiger,_Hidden_Dragon
William,
I forgot to add about Crouching Tiger, there is a LOT of yellow tones,
greys and blue- greens in the movie.
Yellow tone on the theatrical release poster seen on the wiki page.
I saw Wade's AI-dunaic "red deer" comment shortly after it was posted. Besides a quick look at Eldamo for a better idea of the translation's quality, I was reminded of a much grimmer -- albeit exaggerated in hindsight -- red deer from /pol/. (Search engines were of no use in dredging it up, so I left it until I was home to run my VPN setup and fetch the link.)
archive.4plebs.org/pol/thread/325852744/#325856996
Giving up on looking for /pol/'s red deer, I'd returned to these comments and glanced over the words, pondering the red and white. My headphones were on again at this time (much of the day consisted of bus travel and sitting in the doctor's waiting room), and while pondering I realised the playlist served me Cave Story's "White", which it followed up with Wuthering Waves' "Ashes of Snow". "White" is the theme for a character called King, the head of his village and the only one among them to have risked eating cooked red flowers (giving him extra strength; raw flowers are extremely dangerous). "Ashes of Snow" is one of the tracks used in Mt. Firmament, an isolated and frosty region of red stone held in a bubble of slowed time, recalling Lost Horizon for me.
youtube.com/watch?v=itQ94NuNVjo
cavestory.fandom.com/wiki/King
youtube.com/watch?v=si4EnCeAr7w
wutheringwaves.fandom.com/wiki/Mt._Firmament
Debbie, you'd probably enjoy the films of Zhang Yimou.
WG, 4plebs is being blocked in Taiwan at the moment, so I can't follow that link. I won't ask you to copy and paste, since I'm pretty sure even reading that stuff is a felony in Australia. Hopefully I'll be able to access it soon. It had to do with the Science Juice if memory serves?
Blocked? Huh, does that happen often? Anyway, yeah, it was about the Science Juice's effects.
William,
Thank you for sharing the suggestion of Zhang Yimou's films.
I will check them out.
I forgot to add in my comment about
a scene in Crouching Tiger
where it was revealed that Jen Yu ( the protagonist) begins
her siddhis powers starting at age 10!!
In the movie the siddhis powers is referred to
as Wudang secrets
As you can imagine Jen Yu being 10 years old
immediately got my attention because
as I've shared many times, I was 10 in 1965 after
my grandmother Sarah passed over into spirit
when I began having my levitation dreams.
I don't believe in coincidences William,
as you well know.
I think the sync fairies showed up
because they knew that I needed to see
Crouching Tiger again for a reason. I haven't seen
Crouching Tiger in over 20 years.
I believe the reason was to validate my belief
about my soul having gained the siddhis powers
especially levitation. There is a scene in the movie
where Jen Yu appears to 'walk on water'.
Sounds familiar?
I'm not saying that the movie is suggesting that
Jen Yu's character was 'Jesus like' but
maybe the message from the movie
is that when we transcend
this duality dimension, and obtain the Rebis
aka the Philosopher's Stone, our possibilities
are endless.
There was also another VERY interesting
scene in the movie (in addition to the scene
reveling that Jen was 10 when she began her
Wudang training) which connects to my puzzle
pieces. That scene is in the beginning of
the movie when the character Yu Shu Lien
is traveling to deliver Mu Bai's (a Wudang swordsman
and Shu Lien's starcross lover )... fabled 400-year-old jian sword
"Green Destiny" to their benefactor Sir Te in Beijing.
The scene shows Yu Shu Lien traveling to Beijing
in a carriage through the marketplace with many people
walking about in the marketplace.
For a brief second Shu Lien glances
at two young Chinese girls performing acrobatic exercises.
That scene IMMEDIATELY got my attention because if you recall
I've shared many times that I became very attracted to
the Asian continent, and that part of the world when
I was about 7 years old after watching an Ed Sullivan
episode of a group of young Chinese girls performing acrobats.
20 years ago when I saw Crouching Tiger, I did not ' see'
those puzzle pieces, obviously, but they were there waiting
for me to re-discover and remember.
I'm convinced of that.
As I've shared many times I believe that when we are given
puzzle pieces they are given to us for a very important reason,
which is to help us to eventually see the big picture.
It might take 50 years, or 50 months or 50 days
or 50 seconds to click our puzzle pieces into place,
(linear time and space doesn't really matter).
What matters is that when we begin to see with our
Third Eye, we find our truth.
Which 'Knowing One's self ' has always been the big picture.
What are the odds??
William,
The scene where Jen Yu 'walks on water' is in the trailer
I linked.
William,
Oh I forgot to add. The 400 year old sword Green Destiny
has a yellow tassel.
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