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Following up on the idea that the pecked are no longer alone in their bodies , reader Ben Pratt has brought to my attention these remarks by... -
But Men shall remember Atlantis's name Come hell or high water! Sith both of them came, It rests unforgotten, and what we now tell Skill...
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Google is being weird again. Update: I published this post at 10:59 a.m. Exactly 47 minutes later, at 11:46, I photographed this logo, whic... -
Mark your calendars, and in the meantime find something else to read. Note added: For those who have asked, nothing is wrong, and my decisi... -
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As I have mentioned before, I regularly have to create cloze tests for which write a brief article using a dozen or so of the vocabulary ite...
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In " Many are cold, but few are frozen " (July 25), I quote a reference in Elias: An Epic of the Ages to one of the mountains of U...
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I had had a meeting scheduled for this afternoon, but the client called to ask if we could reschedule it to 7/22. Minutes later, I was readi...
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Hmm... Just follow my yellow light / And ignore all those big warning signs
In the description, it says the vid was directed by WeWereMonkeys. Looks like they did all of Of Monsters and Men's early clips.
"King and Lionheart"'s two clips link to each other. The lyric vid slowly pans out from the view of a fantastical white city (on an island?), a storm forming around it, and then two robed figures come into view. That seems to be a prelude to the proper vid: the city is under attack by dark forces, and a young woman and her little brother are forced apart. The woman is dropped in a deep pit, but a pink/white rabbit spirit helps her and leads her back to the city; the brother, caged, is freed by a golden fish spirit who guides him into a rocket ship.
Say after me: It’s no better to be safe than sorry.
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