Tuesday, January 17, 2023

Further Doors-related syncs

Continuing from my last post, "The Doors."

Last night (night of January 16, well after midnight so technically the 17th), I was using YouTube to listen to the Muse album Black Holes and Revelations, which had been suggested to me by a correspondent (some weeks ago, but I'm slow about getting around to these things. Between "Starlight" and "Supermassive Black Hole," the latter of which has lots of owl imagery in the video, this ad came up. As you can see, I noticed it just in time to screenshot it before it ended.

It's an ad for a lutein supplement, boasting "17% higher absorption," but what caught my eye was the big white number 17 on a green background. You will of course remember this picture from my last post.

I had also posted about the symbol of a horizontal green rectangle above a red one, linked to the green and red doors. In the top right corner of the ad, you can see the Haleon logo, with a horizontal green rectangle between two black ones. "I see a red door, and I want it painted black."

Looking up Haleon, I found that it branched off from a company called GSK. My history shows that I ran the search for Haleon at 4:43 p.m. Then I checked my email and found that I had received an email at 3:42 p.m., just one hour and one minute earlier, from an unrelated company also called GSK -- a local manufacturer I used to do consulting work for many years ago. (In S:E:G:, the letters G and K are 7 and 11, respectively, while S is the infinity sign as used by Leonhard Euler; note the link between Ha-leon and Leon-ha-rd. Leonhard is 77 in S:E:G:.)

The music video for "Supermassive Black Hole" is very weird. You see a lot of people wearing full-body suits that cover everything. One of them is an obese man whose suit is made to look like an owl, a connection which is made explicit by showing him side-by-side with an actual owl.

Near the end of the video, these people, including the fat owl-man, unzip and remove their bodysuits, revealing that inside they are not flesh-and-blood humans but windows into outer space.

When I was playing the video last night -- or rather very early this morning -- I screenshotted the moment when the unzipping begins, since the lighting makes the bodysuit look green on one side and red on the other.

As you can see, this moment is at 2:43 in the video, and I took the screenshot at 3:42 a.m. -- the same digits in reverse order, and also precisely 12 hours before 3:42 p.m., the time of the GSK email mentioned above.

My post "Break on through to the other side" began with a few epigraphs, the second of which was this quote from "owl guy" Mike Clelland while under hypnosis:

I understand how people take in a story, and how they need a symbol or a sign on the door. But the owl is meaningless to what is on the other side of the door. It’s just the doorway that’s important. 

The owl is the right symbol for the door. We are on this side, and EVERYTHING else is on that side of the door. There is is a LOT more! We are in this little tight hallway here, and on the other side of the door is this vastness!

The red and green coloring identifies the bodysuit with the door. Owl features are painted on the bodysuit as "a sign on the door," and when the suit is unzipped -- the door is opened -- on the other side is "EVERYTHING else" -- the universe.

One more thing: Today I happened to pass by Killin Ur D00dz Cafe and found that it's right next to a building that not only has a green door but appears to be constructed entirely of green doors!


WanderingGondola said...

Strange all this is bubbling up again, dood.

Those doors look like they came off freight containers... or were they never detached at all? Maybe they plonked some containers down and built the rest of the structure around them. I guess that'd save money and time, heh.

Looking up the green door in the intelligence context as mentioned when this started, I found a few interesting things. One article makes some connections and brings us full circle to O. Henry; the fourth patch here specifically hints at the US southwest; and this weird story is... well, Reddit, enough said.

Ra1119bee said...


2 Parts

Part 1

Check out the lyrics below to the Doors song : Break On Through to the Other Side.
Also side note; Jim Morrison father was Military. Check out Tavistock and Laurel Canyon.

I believe our Soul brakes through the other side during our Third Eye Sleep ( REM )
as I've commented so very often here on your blog.

I think the lyrics to the Doors song, hints of my perspective as well, which
I've NEVER made the connection before in all of these years , until today and because you
stirred my thoughts, I google the lyrics to Break On Through, and lo and behold
what was 'hidden' is now clear (at least for me) and helps me connect a few more of my
puzzle pieces, so thank you for your work.

As stated I personally believe that sometimes the experiences and puzzle pieces
we gather are not always for us.

I believe that our Soul is here(in this duality dimension) to learn AND to teach.

Break On through to the Other Side:

You know the day destroys the night
Night divides the day
Tried to run
Tried to hide

Break on through to the other side
Break on through to the other side
Break on through to the other side, yeah'

We chasing our pleasures here
Dug our treasures there
But can you still recall
Time we cried

Break on through to the other side
Break on through to the other side
Everybody loves my baby
Everybody loves my baby
She get high
She get high
She get high
She get high, yeah

I found an island in your arms
Country in your eyes
Arms that chain us
Eyes that lied

Break on through to the other side
Break on through to the other side
Break on through, oh, yeah

Made the scene
Week to week
Day to day
Hour to hour
The gate is straight
Deep and wide

Break on through to the other side
Break on through to the other side
Break on through, break on through
Break on through, break on through

The wording: the Day destroys the Night is exactly what I believe and have commented
about which is this : upon us ( humans ) awakening from our sleep, especially our REM sleep
and when we open our physical eyes, the Ego takes the helm, which the Soul is at the helm
in our Third Eye time.
So, yes, I too believe that the Day destroys the Night.
The dark ( night ) is where the truth is found.

The wording: "We chasing our pleasures here
Dug our treasures there"
I believe also connects to my belief especially about the Ego, as I believe that our Ego pleasures and protects our physical body only HERE, in this duality dimension.

And maybe the reference to treasures are NOT physical treasures , but the knowledge
our Soul gathers from many incarnations/incarcerations in this duality dimension.

I believe that knowledge is the treasure, especially the Sacred Science knowledge and we all have that knowledge and insight stored within us via our Third Eye, Pineal Gland where
I believe our Soul is housed in our physical body.

It's our EGO ( Evil ) when unbalanced which prevents us from tapping that knowledge especially when our physical eyes are open and the Ego is at the helm, which the lyrics suggests as well especially this wording :
"Eyes that lied"

I believe that our Ego is housed in our mind, which would make sense why through our Ego via our mind, we can be.... and quite often are.... manipulated and controlled in this duality dimension by the Negative Polarity aka our Opponents.

From etymology online:
treasure (v.)

late 14c., "to amass treasure; to store up for the future," also figurative, "regard as precious, retain carefully in the mind,"

Ra1119bee said...


Part 2 ( sorry there are 3 parts )

And last but not least the lyrics wording: Arms to chain us.

From etymology online:
arm (n.2)
[weapon], c. 1300, armes (plural) "weapons of a warrior," from Old French armes (plural), "arms, weapons; war, warfare" (11c.), from Latin arma "weapons" (including armor), literally "tools, implements (of war),"

I vaguely recall discussing 'arms and hands' on a previous post a few months back here
on your blog. I forgot the topic, but I do recall linking the 1960's Vogue group
TV performance of 5' O'Clock World and the swinging of the groups arms resembling a pendulum and also Shirley Ellis' 1960's Clapping Song and 3 6 9.

What's interesting is that the other day I was discussing my thoughts about the Vogues 1965 TV performance of 5'O'Clock World with a friend and out of the blue, I think I found the WHY:.

And I think it was this; I think that the lyrics and especially the Vogue's performance was a hypnotic Social Engineering to slowly and methodically transition the 'herd' ( the American people ) BACK into the mindset of serving on the Wheel, which is what our Opponents require of us to do , i.e. use our 'hands and arms' to manifest (in particularly for them )

Transitioning us 'Back" only 2 short years after 11/22/1963 and the JFK's assassination, validates at least to me, our Opponents manipulative skills especially skilled at
physiological behavior.

The Wheel aka The Eight Point Star of Istar is the Wheel of Fortuna, which there are several Wheels in the Vouges performance.

Also in the 5 O'Clock World lyrics, it's very rich in suggestion as to what our (Humans )
purpose is in this dimension (of course from our Opponent's perspective)

Note in the chorus, the lyrics expresses the workers hubris illusion that : "No one owns a piece of my time", which as we all know that's not true on this duality planet
which of course TIME/Saturn rules.
Perhaps The swinging pendulum of arms lulls us back to sleep?

"Up every mornin' just to keep a job
I gotta fight my way through the hustlin' mob
Sounds of the city poundin' in my brain
While another day goes down the drain (yeah, yeah, yeah)

But it's a five o'clock world when the whistle blows
No one owns a piece of my time
And there's a five o'clock me inside my clothes
Thinkin' that the world looks fine, yeah
Holiday, yeah

Tradin' my time for the pay I get
Livin' on money that I ain't made yet
Gotta keep goin', gotta make my way
While I live for the end of the day (yeah, yeah, yeah)

'Cause it's a five o'clock world when the whistle blows
No one owns a piece of my time
And there's a long-haired girl who waits, I know
To ease my troubled mind, yeah
Holiday, yeah

In the shelter of her arms, everything's OK
She talks and the world goes slippin' away
And I know the reason I can still go on
When every other reason is gone (yeah, yeah, yeah)

In my five o'clock world, she waits for me
Nothin' else matters at all
'Cause every time my baby smiles at me
I know that it's all worthwhile, yeah
Holiday, yeah
Holiday, yeah
Holiday, yeah

Ra1119bee said...


part 3

Returning to the symbolism of arms, of course any power source, which the power to manifest
is one, our physical arms are not only useful for war and destroying as the Doors lyrics seem to suggest but also to embrace our fellow man, to grow food, to manifest, to evolve and change our landscape.

Every power source in this duality dimension has a dual purpose as the paragraph below suggests. Do note the reference to the ship's rudder.

Copy and Paste ( link below )
In her left hand, Fortuna usually held a cornucopia, a symbol of all good things flowing in abundance. In the other hand, Fortuna held a ship’s rudder, which implied her power to steer the delicate lives of mortals. By using both objects, she was able to either bring happiness to the person’s life, or completely destroy the individual’s life instead.


Re-posting this video:

The Vogues - "Five O'Clock World" (HD) (HQ Remastered Audio) (Best)

ben said...

Would ya look at all those 34s... and a 33 too

ben said...

also 17x2=34

Wigner and the infinite quarter

The Mandela Effect is one of the things I like to keep tabs on in a back-burner sort of way, so I subscribe to a YouTube channel called &quo...